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10 Real Music Industry Jobs Open Right Now (Remote, Hybrid, and Onsite)
- BEATCAVE
- 6 days ago
- 3 min read
Ten real music industry jobs, checked link by link and open as of August 9, 2026. There are roles across labels, publishing, touring, content, sync, rights protection, and music education, with a mix of remote, hybrid, and onsite opportunities.
We only included listings whose live application page we could verify. Job posts can close quickly, so if something fits, apply sooner rather than later.
1. Warner Music Group: Coordinator, Content Protection & Anti-Piracy
Remote. Entry level, full time. $22 to $24 USD per hour.
This role sits at the intersection of music, copyright, technology, and digital platforms. You'd help protect Warner Music Group releases from piracy and unauthorized uploads, including emerging issues involving AI deepfakes and voice clones.
2. Monstercat / Create Music Group: Sync & Partnerships Manager
Vancouver or Toronto. 12-month fixed-term contract. $70,000 to $80,000 CAD.
A strong opportunity for someone with music licensing, publishing, sync, or brand partnership experience. The role works across Monstercat's catalogue to develop sync and partnership opportunities while building relationships across music, media, and brands.
3. Varsity Tutors: Piano Tutor
Remote in Canada. Flexible hours. Approximately $18 to $40 CAD per hour.
This one is outside the traditional label path, but it can be useful income for skilled musicians. You can teach piano online, build a flexible schedule, and get matched with students without needing to run your own tutoring operation from scratch.
4. Island Records: Coordinator, A&R
New York, NY. Full time. $45,010 to $50,000 USD.
A direct entry point into label A&R. The coordinator supports artist development, recording sessions, budgets, scheduling, and communication between artists, producers, managers, and the label.
5. WME: Assistant, Christian Music
Nashville, TN. Full time. Early career.
If booking and representation are the lane you want, this is a legitimate way inside a major agency. The assistant supports a Christian Music agent with calendars, contracts, payments, touring history, client needs, and industry relationships.
6. Moonbug Entertainment: Music Publishing Copyright Coordinator
London, UK. Onsite. Full time. Entry level.
This is the rights and publishing side of the music business. You'll work with copyright registrations, metadata, cue sheets, collecting societies, publishing partners, and the systems that make sure songs are properly registered and monetized.
7. Live Nation Concerts: Executive Assistant, Touring
Remote / hybrid. Full time. $20 to $25 USD per hour. Spanish required.
This role supports a Touring Executive with calendars, travel, contracts, booking systems, and communication with agents and managers. It's best suited to someone who already has executive support experience and wants to move deeper into touring.
8. Billboard: Associate Producer, Branded Content
Los Angeles, CA. Hybrid / office-first. $67,000 USD.
A good fit for someone coming from content, production, editorial, or social. The job develops branded work across video, social, editorial, and live experiences, with one to three years of producing or writing experience preferred.
9. Universal Music Group: Manager, Marketing
Los Angeles, CA. Full time. $70,304 to $90,000 USD.
This is a more experienced role for someone already working in music marketing. The manager helps build and execute artist campaigns across releases, digital strategy, content, audience development, and cross-functional label teams.
10. Universal Music Group / Fame House: Senior Coordinator, Content Strategy
Philadelphia, PA. Full time. $45,000 to $65,000 USD.
This role lives where music, eCommerce, and digital content meet. You'll work on product assets, content placement, launch QA, artist storefronts, and execution across campaigns. It asks for roughly three to five years of relevant content, eCommerce, or operations experience.
Want a List Like This Every Week?
This is the kind of opportunity we keep an eye on for the Beatcave community: real roles, real application links, and jobs across different sides of the music business so you're not only looking at the obvious label positions.
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