The Vancouver duo's Hold On To Yourself, out October 23, wraps disco grooves and 80s synths around a much harder question: who gets to decide what you're allowed to be.

French-American songwriter Mark Verbz is building Sunset Crave between Paris romance and Southern California energy. We look at the story behind the project, the new single ‘Don’t Fear,’ and what comes next.

After years as a drummer, engineer and producer, Adrianos Proniaris is putting his full attention behind 2K MAJIK. His next chapter is about building audience, community and momentum around the music already waiting in the vault.

Toronto-based singer-songwriter Christina Kennedy is entering a new artistic chapter with ‘Speed Limit,’ arriving September 18. The release begins a more intentional era built around atmospheric folk pop, vulnerability and growth.

For Makenzi McManus, music has always been connected to feeling. Not the polished, distant version of feeling artists are often told to package neatly, but the kind that arrives loudly, honestly, and without apology. Based in North Vancouver after growing up in Chilliwack, Makenzi describes her sound as whimsical and romantic, shaped by ethereal cinematic soundscapes, poetic storytelling, and a deep sense of yearning. Her creative world lives somewhere between pastel colour,

Real entry-to-mid level music industry jobs across North America this week - remote opportunities, Canadian postings, and US roles worth considering. Updated every Monday.

KNG JMZ is building music for people who have been overlooked, underestimated, and still choose to keep going. The Winnipeg artist describes his sound as Motivational Trap: raw lyricism, West Coast and Dirty South energy, lived experience, and motivational intent. Also known as Jamie Fontaine-Ellis, KNG JMZ is an Afro-Indigenous artist with roots in Sagkeeng First Nation and a Caribbean/Guyanese bloodline. His music is shaped by identity, resilience, discipline, and a desire

The Canada-raised, Punjab-born artist bridges two cultures in one song on his 11th release. This is just the beginning.

Toronto has never had a shortage of artists willing to push the boundaries of what pop music can be, but Carina is arriving at a moment when the city's next chapter is ready to be written. With over 40 songs in her catalogue and a decade-plus of songwriting experience behind her, the 24-year-old pop artist has stepped into a new era with her latest single Hide It -- a track that merges pop, R&B, dance, and electronic production into something that feels both cinematic and imm

677 Huron St. is Deaf Bunny HQ — a 3-floor creative ecosystem in the Annex built by producer o'six. Beatcave members now have exclusive access to it, and we're hosting our June 4th social there first.

With a debut EP on the way and roots deep in Scarborough's cultural soil, Toronto artist Lylah K is done waiting for the right moment.

Beatcave's Music Discovery Opportunity for Members Through Social Post That Promote Music Creators.

On Patricia, Fulller turns emotional self-preservation into something cold, composed, and quietly necessary.

Some artists reinvent themselves for aesthetics. Others do it because the old version of them simply cannot carry the weight of where they are headed next. Noetiko feels like the second kind. After years of releasing music under the names J.D V and later 97 BRIGHT, the Canadian artist arrived at a hard truth. The work ethic was there. The catalogue was there. The love for the craft was still intact. But something deeper was missing. Making music had become routine instead of

Akilah the Creative's debut single "Born to Shine" isn't just a first release. It's a reckoning with the years she spent silencing her own gifts. There's a version of Akilah Walcott that almost never existed. Not because the talent wasn't there, it clearly was, but because at nineteen she made the decision that a lot of young people with real gifts quietly make: she chose the path that made sense on paper and tucked everything else away for later. Later almost never came. Wal

On "Charge It Up," the Mississauga R&B artist turns the quiet act of walking out the door into the most energizing thing she's ever made. There's a specific kind of discomfort that doesn't announce itself loudly. You're somewhere that looks, on paper, like a place you should be glad to be. The music is going. The lights are doing what lights do. There are people around you, maybe people you know. And yet, something underneath the surface isn't clicking. You're performing a ve

A Record That Doesn't Over-Explain Some songs feel like they were made to chase attention. Others feel like they were made because the artist had something real to say. SG Hopp's What You Know lands in the second category. It doesn't beg for validation. It doesn't overcomplicate its message. It moves with the kind of confidence that comes from someone who has lived through enough to know that not every opinion deserves a response. At its core, the record is about being judged

Independent artists don’t just need great music. They need repeated visibility in the right context. That’s where a lot of music brands miss. They post announcements, flyers, and generic promo, then wonder why nobody cares. We’ve taken a different route. Beatcave has been building educational content that people actually want to save, share, and send to other creatives, while pairing that content with music from our members. That matters. Because when a post teaches something

Tony Will has always lived between worlds. Music and performance. Identity and ambition. Spirituality and desire. The polished version of yourself the public can understand, and the private version that only shows up when you stop asking for permission. For a long time, he tried to keep those parts separated, like they needed their own boxes to be valid. Then life did what it always does. Touring, curating showcases, writing, and moving through real chapters made the answer o

There are songs that feel like the next step, and then there are songs that feel like a return to the reason an artist started in the first place. Bellamy Bentley’s new single “My God” lands in that second category. For Bellamy, this release is not just another addition to her catalogue. It’s a line in the sand. After spending years creating across R&B, dance, and Afro-influenced sounds, she’s now stepping fully into gospel with intention, clarity, and a deeper sense of calli